Description
This paper deploys an interrogation into some of the peculiarities in the relationship between body and technology manifesting themselves in the digital consumption of music. It puts forth some preliminary reflections and discuss how an understanding, and a knowledge production, of music histories can be construed in particular ways through accessing music in digital music archives. Furthermore, it engages in a discussion of the validity of letting speculative and cultural theoretical approaches communicate with (digital) ethnographic approaches in order to dig out and highlight the problematic issues of doing music historiography in the wake of a digital consumption of music.Period | 2018 Dec 13 → 2018 Dec 14 |
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Event title | Music, Digitalisation and Democracy |
Event type | Conference |
Location | Turku, FinlandShow on map |
Degree of Recognition | International |
Subject classification (UKÄ)
- Musicology
Free keywords
- Historiography
- archives
- Digital cultures
- Big Data
- musichistory
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Projects
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Research output
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Your Top Songs 2018: An Imaginary of co-creating Music Histories
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Listening from within a Digital Music Archive: Metadata, Sensibilities, and Music Histories in the Danish Broadcasting Corporation's Music Archive
Research output: Thesis › Doctoral Thesis (compilation)