Abstract
This article reads J. J. Abrams and Doug Dorst's S. (2013) as a reflection of the changing status and function of the printed novel in the digital age. As an experimental novel with yellowing pages and handwriting in the margins, S. appears to reflect a “material turn” in literature. It celebrates the book as a space of intimacy and memory, positioned in opposition to new digital media. However, the article argues that S. is also fundamentally and paradoxically grounded in digital culture. Drawing on the work of, for example, N. Katherine Hayles, Bill Brown, and Henry Jenkins, I point to a tension in S. It does at once (1) nostalgically celebrate the “aesthetics of bookishness” and (2) embrace a modern media culture where literature takes place beyond the book and between media.
Original language | English |
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Pages (from-to) | 147-178 |
Number of pages | 32 |
Journal | Orbis Litterarum |
Volume | 72 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2017 |
Externally published | Yes |
Subject classification (UKÄ)
- General Literary studies (including Literary Theory)
Free keywords
- Bog-nostalgi
- Intermedialitet
- Litterær materialitet
- Bogen som medium
- Eksperimenterende litteratur
- bookishness
- experimental fiction
- intermediality
- the material turn
- hybrid novels
- convergence culture