Choose Your Own Adventure Music: On the Emergence of Voice in Musical Collaboration

David Gorton, Stefan Östersjö

Research output: Contribution to journalArticlepeer-review


The practices of collaborating composers and performers have been receiving increasing attention within academic discourse. Such collaborations are often presented from two complementary perspectives: pre-compositional joint invention and post-compositional negotiations in the realisation of a score and its notation. This article attempts to bridge the gap between the two perspectives through a discussion on the emergence of ‘voice’ that pervades the artistic practice, and binds the pre- and post-compositional phases together. Two compositions by David Gorton, written in collaboration with guitar player Stefan Östersjö, will be examined: Forlorn Hope for 11-string alto guitar and optional live electronics and Austerity Measures I for 10-string guitar. Both pieces are the result of an extended pre-composition experimental phase, and both pieces attempt to recreate something of those experiments in the contexts of their performance, establishing the conditions for the emergence of a ‘discursive voice’ of both composer and performer.

Original languageEnglish
Pages (from-to)579-598
Number of pages20
JournalContemporary Music Review
Issue number6
Publication statusPublished - 2016 Nov 1

Free keywords

  • Affordance
  • Collaboration
  • Composer
  • Guitar
  • Performer
  • Resistance
  • Voice


Dive into the research topics of 'Choose Your Own Adventure Music: On the Emergence of Voice in Musical Collaboration'. Together they form a unique fingerprint.

Cite this