Creating temporal and spatial connections through and with co-costumed entanglements

Charlotte Østergaard; Rosane  Muniz

Creating temporal and spatial connections through and with co-costumed entanglements

Grafias da Cena Brasil Association

Research output: Non-textual form › Artistic work › peer-review

Abstract

This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment.

Original language	English
Publication status	Published - 2022 Nov 17
Event	Critical Costume : connections - Allto University, Helsinki, Finland Duration: 2022 Nov 17 → 2022 Nov 20 https://www.criticalcostume.com/cc2022.html

Bibliographical note

Ahmed S. (2006), Queer Phenomenology – orientations, objects, Others, Duke University Press.
Ahmed S. (2010), Orientation matters, In (Eds.) Coole D. & Frost S.; New materialism – ontology, agency, and politics, Durham & London: Duke University Press.
Barad K. (2007), Meeting the universe halfway – quantum physics and the entanglement of matter and meaning, Duke University Press.
Bozalek V. & Zembylas, M. (2017), Towards a response-able pedagogy across higher education institution on post-apartheid South Africa: An ethico-political analysis, Education as change, 21(2), p. 62–85, DOI:10.17159/1947-9417/2017/2017
Haraway D. (2017), Staying with the Trouble – Making Kin in the Chthulucene, Durham and London: Duke University Press.

Subject classification (UKÄ)

Performing Arts

Artistic work

Design
Performance

Free keywords

co-costuming
Costumed perfomance
costume
artistic research
co-creative processes
co-creation
co-creators
material-discursive listening
material agency
material-discursive practice

Access to Document

https://www.youtube.com/watch?v=00LwTh3xScI

1 Doctoral Thesis (artistic)

Crafting material bodies: exploring co-creative costume processes
Østergaard, C., 2024 Dec 16, Malmö: Malmö Faculty of Fine and Performing Arts, Lund University.
Research output: Thesis › Doctoral Thesis (artistic)

Open Access

1 Active

Crafting material bodies - exploring co-creative costume processes
Østergaard, C. (Researcher)
2020/01/01 → …
Project: Dissertation

Cite this

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title = "Creating temporal and spatial connections through and with co-costumed entanglements",

abstract = "This Critical Costume exhibition presentation derives from the twelve-hour costume-based {\textquoteleft}performative-walk{\textquoteright} Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself {\textquoteleft}in the centre{\textquoteright} of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment. ",

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author = "Charlotte {\O}stergaard and Rosane Muniz",

note = "Ahmed S. (2006), Queer Phenomenology – orientations, objects, Others, Duke University Press. Ahmed S. (2010), Orientation matters, In (Eds.) Coole D. & Frost S.; New materialism – ontology, agency, and politics, Durham & London: Duke University Press. Barad K. (2007), Meeting the universe halfway – quantum physics and the entanglement of matter and meaning, Duke University Press. Bozalek V. & Zembylas, M. (2017), Towards a response-able pedagogy across higher education institution on post-apartheid South Africa: An ethico-political analysis, Education as change, 21(2), p. 62–85, DOI:10.17159/1947-9417/2017/2017 Haraway D. (2017), Staying with the Trouble – Making Kin in the Chthulucene, Durham and London: Duke University Press. ; Critical Costume : connections ; Conference date: 17-11-2022 Through 20-11-2022",

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PY - 2022/11/17

Y1 - 2022/11/17

N2 - This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment.

AB - This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment.

KW - co-costuming

KW - Costumed perfomance

KW - costume

KW - artistic research

KW - co-creative processes

KW - co-creation

KW - co-creators

KW - material-discursive listening

KW - material agency

KW - material-discursive practice

M3 - Artistic work

T2 - Critical Costume

Y2 - 17 November 2022 through 20 November 2022

ER -

Creating temporal and spatial connections through and with co-costumed entanglements

Abstract

Bibliographical note

Subject classification (UKÄ)

Artistic work

Free keywords

Access to Document

Fingerprint

Research output

Crafting material bodies: exploring co-creative costume processes

Projects

Crafting material bodies - exploring co-creative costume processes

Cite this