Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers’ Different Positions, Approaches and Aesthetics

Marina Svensson; Dan Edwards

Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers’ Different Positions, Approaches and Aesthetics

Marina Svensson (Editor), Dan Edwards (Guest editor)

Centre for East and South-East Asian Studies, Lund University

No affiliation available (private)

Research output: Contribution to journal › Special Issue (editor) › peer-review

Original language	English
Pages (from-to)	161-261
Number of pages	101
Journal	Studies in Documentary Film
Volume	11
Issue number	3
Publication status	Published - 2017

Subject classification (UKÄ)

Studies on Film
Communication Studies
Social Sciences Interdisciplinary

Free keywords

documentary film
China
activism
Asian studies

Access to Document

http://www.tandfonline.com/toc/rsdf20/11/3Licence: CC BY-NC-SA

Digital China
Svensson, M., Schulte, B., Pissin, A., Shih, T. & Brehm, S.
Swedish Research Council
2013/01/01 → 2018/11/30
Project: Research

Cite this

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title = "Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers{\textquoteright} Different Positions, Approaches and Aesthetics",

keywords = "documentary film, China , activism, Asian studies",

author = "Marina Svensson and Dan Edwards",

year = "2017",

language = "English",

volume = "11",

pages = "161--261",

journal = "Studies in Documentary Film",

issn = "1750-3280",

publisher = "Taylor & Francis",

number = "3",

}

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T1 - Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers’ Different Positions, Approaches and Aesthetics

A2 - Svensson, Marina

A2 - Edwards, Dan

PY - 2017

Y1 - 2017

KW - documentary film

KW - China

KW - activism

KW - Asian studies

M3 - Special Issue (editor)

SN - 1750-3280

VL - 11

SP - 161

EP - 261

JO - Studies in Documentary Film

JF - Studies in Documentary Film

IS - 3

ER -

Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers’ Different Positions, Approaches and Aesthetics

Subject classification (UKÄ)

Free keywords

Access to Document

Projects

Digital China

Cite this