Enhancement or Distortion? From The Claude Glass to Instagram

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

1537 Downloads (Pure)
Original languageEnglish
Title of host publicationSarai Reader 09: Projections
EditorsEditorial Collective Sarai Reader 09
Publication statusPublished - 2013

Bibliographical note

This essay was inspired by my work with the video artwork Close to Nature, which I made for an exhibition in northern Finland in 2011. Close to Nature is an examination of mediations in relation to nature. The work is based on the juxtaposition of a lo-fi domestic media device with ideas about landscape representation. A version of the work can be viewed here: http://vimeo.com/44951079
It was also exhibited together with other works under the name Transmutations of Nature. More info:
http://robertwillim.com/portfolio/transmutations-of-nature

An early version of this essay was presented at the workshop Digital Cameras as a Nexus in Everyday Life as a part of Helsinki Photomedia Conference 28-30 March 2012, Helsinki, Finland. I am grateful for all the comments I got during the workshop, especially the ones by Karin Becker.

Subject classification (UKÄ)

  • Ethnology

Free keywords

  • Media history
  • aesthetics: visual studies
  • visual culture
  • cultural studies
  • media
  • new media
  • Claude Lorrain
  • John Ruskin
  • Tim Ingold
  • Instagram
  • photo filters
  • software
  • distortion
  • The Lorrain Mirror
  • The Claude Glass
  • tourism
  • Orvar Löfgren
  • visualization technologies
  • borrowed features
  • normative aesthetics
  • taste
  • professional culture
  • photography
  • digital photography
  • landscape art
  • picturesque
  • the black mirror
  • retro
  • instagram aesthetics
  • visual aid
  • creative tools
  • digital filters
  • Close to Nature

    Willim, R., 2011

    Research output: Non-textual formArtistic work

    Open Access

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