Activities per year
Abstract
This article focuses on production and reception practices for live reality television, using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time.
| Original language | English |
|---|---|
| Pages (from-to) | 7-21 |
| Number of pages | 15 |
| Journal | Critical Studies in Television |
| Volume | 14 |
| Issue number | 1 |
| Early online date | 2018 Jun 1 |
| DOIs | |
| Publication status | Published - 2019 |
Subject classification (UKÄ)
- Media Studies
Free keywords
- reality television
- live events
- television production
- television audiences
Fingerprint
Dive into the research topics of 'Live Reality Television: Care structures within the production and reception of talent shows'. Together they form a unique fingerprint.Activities
- 4 Invited talk
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Reality TV Entertainers
Hill, A. (Keynote/plenary speaker)
2019 May 20 → 2019 May 21Activity: Talk or presentation › Invited talk
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