Maskinkroppens gräns: Våld, immunitet och medieakologiska aggregationer i The Last of Us

Translated title of the contribution: Boundaries of the Machine Body: Violence, Immunity and Media Assemblages in The Last of Us

Research output: Contribution to journalArticlepeer-review

Abstract

This article examines the portrayal of bodily boundaries in the videogame series The Last of Us. Drawing on theories of media ecology and posthumanism (most notably Deer’s notion of radical animism, Haraway’s theories of the cyborg, and Fuller’s account of media assemblages), three aspects of this portrayal are described: first, the game’s narrativization of bodily violence through an amalgamation of the player’s sensory systems with media technologies; second, the game’s depiction of monstrous corporeality; and third, its representation of immune systems through the mirrored relationship between external tools and endogenous bodily functions. Connecting these three aspects, it is argued that The Last of Us portrays bodily boundaries as precarious, and that it presents violence, technology and infectious disease as callingcards for moving beyond anthropocentric views of corporeality; of conceptualizing the human body as machine-like and inevitably more-than-human.
Translated title of the contributionBoundaries of the Machine Body: Violence, Immunity and Media Assemblages in The Last of Us
Original languageSwedish
Pages (from-to)153-171
Number of pages19
JournalTidskrift för litteraturvetenskap
Volume51
Issue number1-2
DOIs
Publication statusPublished - 2021

Subject classification (UKÄ)

  • General Literature Studies

Free keywords

  • The Last of Us
  • secular apocalypse
  • radical animism
  • media ecology
  • cyborg
  • violence
  • immunity
  • intermedial narrative

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