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Abstract
I. LifeHouse (stopping Epi) II. Noyve III. Sephth
The pieces that comprise Mountains Songs (1995) focus on primarily unvoiced airflow, while the oral cavity is divided into three components--aperture, mid- to rear-cavity, and lingual positioning. These pieces extend what has been commonly referred to as extended vocal techniques by exploring the potential of sound as produced through respiration, phonation, resonance/filtering and articulation.
The pieces that comprise Mountains Songs (1995) focus on primarily unvoiced airflow, while the oral cavity is divided into three components--aperture, mid- to rear-cavity, and lingual positioning. These pieces extend what has been commonly referred to as extended vocal techniques by exploring the potential of sound as produced through respiration, phonation, resonance/filtering and articulation.
| Original language | English |
|---|---|
| Publisher | Conners Publications |
| Media of output | Notated music |
| Publication status | Published - 1998 |
| Externally published | Yes |
Subject classification (UKÄ)
- Music
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Dive into the research topics of 'Mountain Songs (e27) for solo voice: I. LifeHouse (stopping Epi) II. Noyve III. Sephth'. Together they form a unique fingerprint.Projects
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Artistic Research focused on extra-normal voice
Edgerton, M. (Researcher)
1985/10/21 → …
Project: Research
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