Projects per year
Abstract
While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
Original language | English |
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Place of Publication | Berlin |
Publisher | Springer |
Number of pages | 205 |
ISBN (Electronic) | 978-3-662-67131-3 |
ISBN (Print) | 978-3-662-67130-6 |
DOIs | |
Publication status | Published - 2024 |
Publication series
Name | Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens |
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ISSN (Print) | 2662-1398 |
ISSN (Electronic) | 2662-1401 |
Subject classification (UKÄ)
- Musicology
Free keywords
- Institutional Critique
- Contemporary Music
- Festivals
- New Music
- Musical Production
- Open Access
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Dive into the research topics of 'New Music and Institutional Critique'. Together they form a unique fingerprint.Projects
- 1 Finished
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Book Launch: New Music and Institutional Critique
Brandon Farnsworth (Role not specified), Kaspar König (Artist), Christian Grüny (Role not specified) & Sanne Krogh Groth (Role not specified)
2024 Jan 24Activity: Talk or presentation › Presentation
File -
isaScience 2022
Brandon Farnsworth (Presenter)
2022 Sept 1 → 2022 Sept 3Activity: Participating in or organising an event › Participation in conference