Performing Instagram photography and the disciplining gaze

Research output: Contribution to conferenceOtherpeer-review

Abstract

This paper approach participation in visual promotional strategies as a novel form of public performance. The paper examines the social rules and conventions of photography practices on visual social media platforms in a qualitative study of how 30 participants in so-called Instagram takeovers make sense of and perform photography as an embodied visual practice situated in time and space.
A dramaturgical perspective (Goffman, 1959) is adopted to understand how the participants perform and make sense of photography. The concept of gaze (Urry, 1990) is introduced in order to analyse and discuss social conventions and norms that guide the performances and have consequences for the photographs taken.
The findings of the study point to the tensions between different gazes and how they discipline participants’ imaginations. Hence, the inclusion of social media in communication strategies does not necessarily reinvigorate images of the place or the organisation, since conventional gazes govern photography practice on social media. The study elucidates how a visual practice is socially constrained, which results in that only certain aspects are made visible and regarded as photo worthy, while others remain unseen.
Original languageEnglish
Publication statusPublished - 2019
EventInternational Communication Association (ICA) 2019: Communication Beyond Boundaries - Washington DC, Washington DC, United States
Duration: 2019 May 242019 May 28
https://www.icahdq.org/page/2019Conference

Conference

ConferenceInternational Communication Association (ICA) 2019
Abbreviated titleICA 2019
Country/TerritoryUnited States
CityWashington DC
Period2019/05/242019/05/28
Internet address

Subject classification (UKÄ)

  • Communication Studies

Keywords

  • photography
  • performativity
  • gaze
  • disciplinary power
  • Instagram
  • Instagram take-over

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