Abstract
This article offers an analysis of the role that photography plays in the history and memory of the two political events in Thailand known as 14 October 1973 and 6 October 1976. Both events were violent and took place in public, in front of the press and cameras. The events were connected, but the records of them have been treated very differently. This difference is particularly clear in the representation of violence. Photographs contribute to the dominant narrative of 14 October as a struggle for democracy and justice, albeit within a nationalist discourse that obscures and abstracts state violence. After two initial decades of invisibility and silence, photographs from 6 October have become a repository in a human rights discourse that focuses on individual redress for violence and impunity. To understand the role of photography in history, attention must be given to the conditions for archiving and dissemination, as well as to lacunae in the photographic records–to what is missing. Furthermore, thinking beyond the photographic frame and of photography as an event over time and space can direct attention towards the power relations that dictate the photographed event, as well as the moments of encounter with the photographs.
Original language | English |
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Pages (from-to) | 32-52 |
Journal | South East Asia Research |
Volume | 29 |
Issue number | 1 |
Early online date | 2021 Feb 15 |
DOIs | |
Publication status | Published - 2021 |
Subject classification (UKÄ)
- Political Science (excluding Peace and Conflict Studies)
- Information Studies
Free keywords
- human rights
- impunity
- photography
- Thailand
- violence