Abstract
This article is an analysis of the Swedish feature film "Brita i grosshandlarhuset" from 1946 about a poor girl that moves to the city finding employment as a maid in the house of a rich merchant. Here I examine the compromises - in terms of constructions of class and gender - that paved the way for a new narrative, with the progression of imagery from, so to speak, the symbol of the merchant house to the metaphor of the "Folkhem". In special focus stands the relation between city and country side.
| Original language | English |
|---|---|
| Title of host publication | Regional Aesthetics : Locating Swedish Media |
| Editors | Erik Hedling, Olof Hedling, Mats Jönsson |
| Publisher | Kungliga biblioteket |
| Pages | 191-211 |
| Volume | Mediehistoriskt arkiv 15 |
| ISBN (Print) | 978-91-88468-14-7 |
| Publication status | Published - 2010 |
Publication series
| Name | |
|---|---|
| Volume | Mediehistoriskt arkiv 15 |
| ISSN (Print) | 1654-6601 |
Subject classification (UKÄ)
- History
Free keywords
- historical film analysis
- maid servants
- class
- gender
- Folkhem
Fingerprint
Dive into the research topics of '"Regional Conflicts: From the Merchant's House to the People's Home"'. Together they form a unique fingerprint.Research output
- 1 Anthology (editor)
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Regional aesthetics : Locating Swedish media
Hedling, E. (Editor), Hedling, O. (Editor) & Jönsson, M. (Editor), 2010, Kungliga biblioteket. 383 p. (Mediehistoriskt arkiv; vol. 15)Research output: Book/Report › Anthology (editor) › Research
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Activities
- 1 Presentation
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Brita i grosshandlarhuset (The Maid). From the book 1943 to the film 1946
Holgersson, U. (Invited speaker) & Talvio, R. (Invited speaker)
2010 May 19Activity: Talk or presentation › Presentation
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