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Abstract
This essay studies the depiction of landscape in Bergman's films in relation to traditional imagery in Swedish films. Bergman's landscapes are here regarded as an implicit criticism of the self-image of the Swedish model welfare state.
| Original language | English |
|---|---|
| Title of host publication | Ingmar Bergman revisited: Performance, Cinema and the Arts |
| Editors | Maaret Koskinen |
| Publisher | Wallflower Press |
| Pages | 180-193 |
| ISBN (Print) | 978-1-905674-33-6 |
| Publication status | Published - 2008 |
Subject classification (UKÄ)
- Arts
Keywords
- landscape
- Bergman's films as other
- Swedish film
- welfare state
- Bergman
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