Empathy, engagement, entrainment: The interaction dynamics of aesthetic experience
Research output: Contribution to journal › Article
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Empathy, engagement, entrainment : The interaction dynamics of aesthetic experience. / Brinck, Ingar.
In: Cognitive Processing, Vol. 19, No. 2, 05.2018, p. 201-213.Research output: Contribution to journal › Article
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TY - JOUR
T1 - Empathy, engagement, entrainment
T2 - The interaction dynamics of aesthetic experience
AU - Brinck, Ingar
PY - 2018/5
Y1 - 2018/5
N2 - Empathy concerns the feeling of understanding others’ experiences from their perspective, and confronts you with the presence of a qualitative experience that you are not living through yourself. In aesthetics empathy has been conceived as bodily inner imitation. Taking a theoretical, interdisciplinary approach that merges insights from psychology, philosophy, and phenomenology within the dynamic framework, I develop an alternative account of empathy as embodied and enactive, and argue that aesthetic experience is grounded in entrainment and emerges in real time during episodes of emotional and material engagement between viewer and artwork. The interaction dynamics between viewer and artwork is organized relative to the viewer's needs and interests as articulated in response to the aesthetic affordances of the context, and has the form of a motion-emotion loop that promotes continuous evaluation and sense-making.
AB - Empathy concerns the feeling of understanding others’ experiences from their perspective, and confronts you with the presence of a qualitative experience that you are not living through yourself. In aesthetics empathy has been conceived as bodily inner imitation. Taking a theoretical, interdisciplinary approach that merges insights from psychology, philosophy, and phenomenology within the dynamic framework, I develop an alternative account of empathy as embodied and enactive, and argue that aesthetic experience is grounded in entrainment and emerges in real time during episodes of emotional and material engagement between viewer and artwork. The interaction dynamics between viewer and artwork is organized relative to the viewer's needs and interests as articulated in response to the aesthetic affordances of the context, and has the form of a motion-emotion loop that promotes continuous evaluation and sense-making.
KW - entrainment
KW - Emotional engagement
KW - aesthetic response
KW - Aesthetic Judgement
KW - Empathy
KW - Dynamic systems
KW - dynamic interplay
KW - Phenomenological experience
U2 - 10.1007/s10339-017-0805-x
DO - 10.1007/s10339-017-0805-x
M3 - Article
C2 - 28391411
VL - 19
SP - 201
EP - 213
JO - Cognitive Processing
JF - Cognitive Processing
SN - 1612-4782
IS - 2
ER -