The Fusion of Fable and Comedy. Some Remarks Concerning the Danish Reception of Boursault’s First Aesop Play

Research output: Chapter in Book/Report/Conference proceedingPaper in conference proceeding

Abstract

By examining the reception of Edme Boursault’s first fable comedy, Ésope (1690), the paper discusses the historical prerequisites of an interlacing of fable and comedy. The several 18th century translations of Boursault’s drama often have been taken as a pretext for the success of his genre experiment. The fusion of fable and comedy was, however, not in all respects in line with literary horizons of expectation in early 18th century Europe. This is evident from the Danish reception of the French play – the main focus of the paper – in which can be observed interesting tendencies towards emancipating from one another the genres joined by Boursault. As a conclusion, the paper relates the instability of the fable comedy to the generic thought of the epoch.

Details

Authors
External organisations
  • External Organization - Unknown
Research areas and keywords

Subject classification (UKÄ) – MANDATORY

  • Languages and Literature

Keywords

  • fable, comedy, genre fusion, Edme Boursault, Esope (1690), reception, translation, Tøger Reenberg, ”Den danske Skueplads”
Original languageEnglish
Title of host publication[Host publication title missing]
PublisherUniversiteit Utrecht & Société Internationale Renardienne
Publication statusPublished - 2009
Publication categoryResearch
Peer-reviewedYes
Externally publishedYes
EventThe XVIIIth Colloquium of the International Reynard Society - Utrecht
Duration: 2009 Jul 212009 Jul 24

Conference

ConferenceThe XVIIIth Colloquium of the International Reynard Society
Period2009/07/212009/07/24