The Welfare State Depicted: Post-Utopian Landscapes in Ingmar Bergman's Films
Research output: Chapter in Book/Report/Conference proceeding › Book chapter
This essay studies the depiction of landscape in Bergman's films in relation to traditional imagery in Swedish films. Bergman's landscapes are here regarded as an implicit criticism of the self-image of the Swedish model welfare state.
|Research areas and keywords||
Subject classification (UKÄ) – MANDATORY
|Title of host publication||Ingmar Bergman revisited: Performance, Cinema and the Arts|
|Publication status||Published - 2008|