Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications

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Bibtex

@phdthesis{054b9e88329d4003b1bac7821abf60e9,
title = "Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications",
abstract = "An investigation concerning a group of paintings sharing a common motif. The motif is the Madonna with the infants Jesus and Saint John, the Infant Jesus holding a goldfinch. Rapahel's version of the painting, in the Uffizi, is discussed in relation to a similar version of the motif that appeared in Sweden in the 1990's.",
keywords = "Raphael, Vallombrosa, copy",
author = "M{\aa}ns Holst-Ekstr{\"o}m",
year = "1996",
language = "English",
school = "Division of Art History and Visual Studies",

}