Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge

Forskningsoutput: Kapitel i bok/rapport/Conference proceedingKapitel samlingsverk

Standard

Saga’s Story : Emotional Engagement in the Production and Reception of The Bridge. / Hill, Annette.

European Television Crime Drama and Beyond. red. / Kim Toft Hansen; Steven Peacock; Sue Turnbull. Palgrave Macmillan, 2018. s. 269-284.

Forskningsoutput: Kapitel i bok/rapport/Conference proceedingKapitel samlingsverk

Harvard

Hill, A 2018, Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge. i K Toft Hansen, S Peacock & S Turnbull (red), European Television Crime Drama and Beyond. Palgrave Macmillan, s. 269-284.

APA

Hill, A. (2018). Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge. I K. Toft Hansen, S. Peacock, & S. Turnbull (Red.), European Television Crime Drama and Beyond (s. 269-284). Palgrave Macmillan.

CBE

Hill A. 2018. Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge. Toft Hansen K, Peacock S, Turnbull S, redaktörer. I European Television Crime Drama and Beyond. Palgrave Macmillan. s. 269-284.

MLA

Hill, Annette "Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge"., Toft Hansen, Kim Peacock, Steven Turnbull, Sue (redaktörer). European Television Crime Drama and Beyond. Kapitel 15, Palgrave Macmillan. 2018, 269-284.

Vancouver

Hill A. Saga’s Story: Emotional Engagement in the Production and Reception of The Bridge. I Toft Hansen K, Peacock S, Turnbull S, redaktörer, European Television Crime Drama and Beyond. Palgrave Macmillan. 2018. s. 269-284

Author

Hill, Annette. / Saga’s Story : Emotional Engagement in the Production and Reception of The Bridge. European Television Crime Drama and Beyond. redaktör / Kim Toft Hansen ; Steven Peacock ; Sue Turnbull. Palgrave Macmillan, 2018. s. 269-284

RIS

TY - CHAP

T1 - Saga’s Story

T2 - Emotional Engagement in the Production and Reception of The Bridge

AU - Hill, Annette

PY - 2018/12/6

Y1 - 2018/12/6

N2 - This research examines emotional engagement with Nordic crime drama The Bridge, using a cultural approach to genre, affect and emotion, and exploring how executive and creative producers, artistic performers, and audiences all perform specific practices that culminate in the co-production of intense engagement with this crime drama. The fieldwork took place during 2013-2016, with 40 production interviews and 170 audience interviews and participant observations in Sweden, Denmark, and Great Britain. A key research question concerns how genre, affect and emotion are interwoven in the fine details of the production of this crime drama and audience engagement with it.

AB - This research examines emotional engagement with Nordic crime drama The Bridge, using a cultural approach to genre, affect and emotion, and exploring how executive and creative producers, artistic performers, and audiences all perform specific practices that culminate in the co-production of intense engagement with this crime drama. The fieldwork took place during 2013-2016, with 40 production interviews and 170 audience interviews and participant observations in Sweden, Denmark, and Great Britain. A key research question concerns how genre, affect and emotion are interwoven in the fine details of the production of this crime drama and audience engagement with it.

KW - nordic noir

KW - television audiences

KW - media industries

M3 - Book chapter

SN - 978-3-319-96886-5

SP - 269

EP - 284

BT - European Television Crime Drama and Beyond

A2 - Toft Hansen, Kim

A2 - Peacock, Steven

A2 - Turnbull, Sue

PB - Palgrave Macmillan

ER -