Anders Ljungar-Chapelon

P

Prof. Dr. ANDERS LJUNGAR-CHAPELON is professor of flute and researcher (artistic research and music education) at the Faculty of Fine and Performing Arts/Lund University, Sankyo Artist (Sankyo Flutes Japan), affiliated to Brazilian universities as an examiner and lecturer. Parallel to these activities he held for nineteen years a professorship at the Royal Northern College of Music (RNCM) in Manchester (England), and for a few years a professorship at the Grieg Academy/Faculty of Art, Music and Design at the University of Bergen (Norway).

 

Ljungar-Chapelon performs extensively as a soloist throughout Europe, Asia, Australia, the Americas, and New Zealand, appears on radio and television, and is a regular guest soloist at international festivals on five continents. For many years he lived in Germany and France, and worked as a principal flautist in symphony, opera, and chamber orchestras. Many of his interpretations are available on CD, with a repertoire from Bach, Hotteterre, Montéclair, Blavet, Vivaldi, Telemann, Mozart, rediscovered works by Swedish composers from the 18^th and 19^th Centuries to music from the 20^th Century such as Arnold Schoenberg's Sonata Opus 26, Boulez Sonatine, music for solo flute by Debussy, Varèse, Jolivet, Boulez, Berio, Ferneyhough and Takemitsu. His repertoire includes works dedicated to him by Swedish composers such as Björklund, Johansson, Olofsson, Storm, Welin, Artaud and Sulzenbacher in Paris, and Hina Sakamoto in Tokyo.

 

Ljungar-Chapelon is a sought-after professor and lecturer at universities and music academies on five continents. He is the first Scandinavian to have been invited to teach at the prestigious Paris Conservatoire (CNSMP) and the famous Nice Summer Academy. In addition to Swedish, the languages he uses in his teaching and lectures are French, German, English, and Danish. He is also certified as a Suzuki flute teacher.

 

As a researcher and supervisor (candidate, master, and PhD), Ljungar-Chapelon works with artistic research and music pedagogical research, the latter with a focus on the education of professional musicians and preferably flutists. His doctoral thesis (PhD) analysed French flute traditions, its learning, craftsmanship and aesthetics covering the period from 1707 to 2003. His artistic research areas are musical interpretation, French early 18th century music around Hotteterre, musical punctuation, Beethoven's violin sonatas in transcriptions for flute, Debussy's Syrinx for flute and its connection to theatre, Scandinavian flute music and flute playing in the 18^th and 19^th centuries, Schoenberg's twelve-tone technique, as well as investigations into flute acoustics. Furthermore, he conducts research on European 18^th Century flutes and Boehm-flutes in cross-cultural combinations with non-European instruments such as the Korean Kayagum. His research is regularly presented at international conferences in Africa, Asia, Australia, Europe, Latin-America. He develops teaching materials, writes articles in the special press, edits historical and contemporary music manuscripts, is editor and author of the series The Flautists Vademecum (Lund University), furthermore he is published by Autographus Musicus(Stockholm), with the series The Swedish Transverse Flute and Flautissimo, where his edition of Debussy's Syrinx ou La Flûte de Pan has received international recognition, and was published in the prestigious series Wiener Urtext Editions(Austria).

 

Ljungar-Chapelon's multifaceted field of activity has made him an authority on 18^th and 19^th century flutes in theory and practice, including reconstructions of Hotteterre's Basse de Traversière and more recently a Hotteterre Traverso Model II, in collaboration with the master builder of Traverso flutes Alain Weemaels in Brussels. For a few years he designed flutes for TAMINO FLUTES in Beijing (China).

 

 

Ljungar-Chapelon studied in Gothenburg (Gérard Schaub), Copenhagen (Ørnulf Gullbransen and Poul Birkelund), Paris (Alain Marion), and Cologne (Amadeus Quartet). Close contact with flautist and professor Alain Marion in Paris was particularly inspiring, as were the chamber-music studies for the Amadeus Quartet in Cologne (Germany).

 

When Ljungar-Chapelon performs, he plays on a 24-carat golden flute built especially for him by Sankyo Flutes (Japan), and on Traversi built by Alain Weemaels in Brussels.

 

 

 

 

DISCOGRAPHY

 

Agrell, Johan. (c.1749). Concerto for flute in D-major.

Ensemble Gustaf III

MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Artaud, Pierre-Yves. (1996). CHITRA pour Basse de Traversière et bande magnetique.

dB Productions. Malmö, Sweden.

(Traverso, Renaissance flutes, Boehm flute, Flûte en Sol, Basse de Traversière).

 

Bach, Johann Sebastian. Concerto for flute and violin in d-minor. BWV 1043. (trans. Ljungar-Chapelon).

Kammerensemble Cologne

KUTLU 118-2. Köln, Germany.

 

Bach, Johann Sebastian. Brandenburg Concerto V in D-major. BWV 1050.

Kammerensemble Cologne

KUTLU 110-2. Köln, Germany.

Bach, Johann Sebastian. Concerto for flute in g-minor BWV 1056. (trans. Ljungar-Chapelon).

Kammerensemble Cologne

KUTLU 102-2. Köln, Germany

 

Blavet, Michel. (c.1740). Concerto for flute in a-minor

Kammerensemble Cologne

KUTLU 105-2. Köln, Germany

 

Berio, Luciano. (1958). Sequenza I per flauto solo

Bergen: Amethyst-records, Norway. IN PRESS

 

Boulez, Pierre. (1946). Sonatine pour flûte et piano

Duo Concord (prof. Ingemar Fridell piano)

Malmö: Euterpe Musica, Sweden.

 

Campra, André. (1702). Air, Une Driade from the opera Tancrede Act III: 4

Ensemble Gustaf III

dB Productions. Malmö, Sweden. (Basse de Traversière)

 

Debussy, Claude. (1913). Syrinx ou La Flûte de Pan pour flûte seule

Bergen: Amethyst-records, Norway. IN PRESS

 

Drake, Erik. (1830). Divertimento pour le PianoForte & Flûte.  

Ensemble Gustaf III

MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Ferneyhough, Brian. (1970). Cassandra’s Dream Song for flute alone

Bergen: Amethyst-records, Norway. IN PRESS

 

Grenser, Johan Fredrik. (1777). Trio Sonata in B flat-major. Opus 1:VI

Ensemble Gustaf III

MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden. (Flute, violin & basso continuo)

 

Hotteterre, Jacques Le Romain. (1719). Préludes pour Basse de Traversière solo

dB Productions. Malmö, Sweden.

(Basse de Traversière)

 

Hotteterre, Jacques Le Romain. (1715). Brunettes et Chansons à Boire

Ensemble Gustaf III

dB Productions. Malmö, Sweden.

(Soprano, Traverso and Basse de Traversière)

 

Jolivet, André. (1936). Cinq Incantations pour flûte seule

Bergen: Amethyst-records, Norway. IN PRESS

 

Johansson, Johannes. (1996). Pièce en Trio for Basse de Traversière solo

dB Productions. Malmö, Sweden

(Basse de Traversière)

 

 

Leclair, Jean-Marie. Concerto for flute in C-major. Opus 7: III

Kammerensemble Cologne

KUTLU 106-2. Köln, Germany.

 

Montéclair, Michel Pignolet de. (1697). Le Sommeil

Ensemble Gustaf III

dB Productions. Malmö, Sweden.

(Traverso, Basse de Traversière)

 

Mozart, Wolfgang Amadeus. (1777). Quartet for flute and strings in G-major. K.285a

Kammerensemble Cologne

KUTLU 118-2. Köln, Germany.

(Traverso)

 

Mozart, Wolfgang Amadeus. (1777). Quartet for flute and strings in C-major. K.285b

Kammerensemble Cologne

KUTLU 116-2. Köln, Germany.

(Traverso)

 

Olofsson, Kent. (1996). Pierian Spring for Basse de Traversière solo

1998 dB Productions. Malmö, Sweden.

(Basse de Traversière)

 

Quanten, Carl Jacob von. (c.1777). Sonata for flute and harpsichord in G-major. Opus 1: V

Ensemble Gustaf III

MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Schoenberg, Arnold. Sonata Opus 26 for flute (Flûte en Sol) and piano

Duo Concord (prof. Ingemar Fridell piano)

MHM CD 2003. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Takemitsu, Toru. (1971). Voice for flute solo

Bergen: Amethyst-records, Norway. IN PRESS

 

Telemann, Georg Philipp. Concerto for flute in D-major

Kammerensemble Cologne

KUTLU 118-2. Köln, Germany.

(Traverso)

 

Telemann, Georg Philipp. Ouverture (Suite) Musique de Table in e-minor for two flutes and strings

Kammerensemble Cologne

KUTLU 115-2. Köln, Germany.

 

Telemann, Georg Philipp. Triple Concerto for flute, oboe d’amore, violin and strings in E-major Kammerensemble Cologne

KUTLU 111-2. Köln, Germany.

 

Telemann, Georg Philipp. Double Concerto for flute, recorder and strings in e-minor.

Kammerensemble Cologne

KUTLU 105-2. Köln, Germany.

 

Telemann, Georg Philipp. Concerto for flute in E-major.

Kammerensemble Cologne

KUTLU 101-2. Köln, Germany.

 

Varèse, Edgar. (1936). Density 21.5 for flute alone.

Bergen: Amethyst-records, Norway. IN PRESS

 

Vivaldi, Antonio. Concerto for flute in c-minor, Opus 44: 19.

Kammerensemble Cologne

KUTLU 111-2. Köln, Germany.

 

Vivaldi, Antonio. Double Concerto for two flutes in c-minor. RV 509. (trans. Ljungar-Chapelon).

Kammerensemble Cologne

KUTLU 107-2. Köln, Germany.

 

Vivaldi, Antonio. Concerto for flute in g-minor La Notte. Opus X: 2.

Kammerensemble Cologne

KUTLU 104-2. Köln, Germany.

 

Wesström, Anders. (c.1760). Quartet for flute and strings in D-major.

Ensemble Gustaf III

MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

 

BIBLIOGRAPHY

 

Vade mecum is Latin for go with me and has been used as a name for handbooks of different crafts all over Europe since at least the beginning of the 17^th Century.

 

(2022). The Flautists Vademecum. La Tradition en Mouvement The Rudiments or Principles of the German flute (1729)the first English translation of Principes (1707) by Hotteterre A comparative study of French flute traditions over 300 years: Transitions of aesthetics, musical expressions, playing techniques and flautistic learning regarding the Traverso, Multi-keyed conical flutes, Ringklappenflöte and the Boehm-flute by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden. IN PRESS

 

(2022). The Flautists Vademecum. SOUND POEMS FOR SOLO FLUTE (… 2020, 2021 and 2022) and Narration by a flautist-composer (2022) music and an essay by Raul Costa d'Avila. With an introduction by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden. IN PRESS

 

(2022). The Flautists Vademecum. Hina Sakamoto. Kuhon Raigo-zu V (2022). For Flute, Cembalo and Violoncello With an introduction by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden. IN PRESS

 

(2022). The Flautists Vademecum. Mauricio Dottori. karesansui per flauto alto e chitarra (2018) and Que fará na alta praia em que o mar é o tempo? per flauto e violoncello (2019). With an introduction by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden. IN PRESS

 

 

 

(2021). The Flautists Vademecum. Rudolf Sulzenbacher. Soliloque pour Basse de Traversière peut être joué sur le Traverso. With an introduction by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden.

 

(2020). The Flautists Vademecum. Ah! vous dirai-je, Maman Variations II: On Timbre, Expression, Resonance and Projection by Anders Ljungar-Chapelon.

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2019). The Flautists Vademecum. Hina Sakamoto. Kuhon Raigo–Zu III for Flauto Traverso or Flute. Morceau de Concours for the flute class at Malmö Academy of Music 2018. With an introduction by Anders Ljungar-Chapelon

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2019). The Flautists Vademecum. Anders Ljungar-Chapelon. Ah! vous dirai-je, Maman Variations II: On Practice, Intervals and Sons files by Anders Ljungar-Chapelon.

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2019). The Flautists Vademecum. Anders Ljungar-Chapelon. Ah! vous dirai-je, Maman Variations I: On Tone and Articulation by Anders Ljungar-Chapelon.

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2018). Om flöjtisten Atys och om musikalisk interpunktion by Anders Ljungar-Chapelon

Tidig Musik. (Nr. 1 & 2/2018, p. 28–31; 32-35)

 

(2018). The Flautists Vademecum. [Charles] De Lusse. On Harmoniques, Quart-de-Tons et Tremblement flexible, c.1760. Including works for Traverso by Staffan Björklund, Kent Olofsson, Rudolf Sulzenbacher, and Suggestions and exercises for harmonics, quartertones and micro intervals for the Traverso and Boehm flute by Anders Ljungar-Chapelon.

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2018). The Flautists Vademecum. Rudolf Sulzenbacher. La Mort de Pan pour flûte et acteur (2016)

Bis de Concert pour flûte en sol ou en ut et clavecin ou harpe, cette pièce peut également être jouée solo (2016) With an introduction by Anders Ljungar-Chapelon

Malmö: Faculty of Fine and Performing Arts/Lund University, Sweden.

 

(2018). The Flautists Vademecum. Ida Wennström. Lekfull svit/Playful suit for flute and piano 2015-2017. With an introduction by Anders Ljungar-Chapelon

Morceau de Concours for the flute class at Malmö Academy of Music 2018.

Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

 

(2017/1995; 2004-2007). The Flautists Vademecum. Maurício Dottori. Para passar esta madrugada de lua cheia for flute and piano (1995), For the portraiture of clouds and sky for amplified alto flute and piano (2004-2007). With an introduction by Anders Ljungar-Chapelon

Manchester & Manchester & Malmö: Royal Northern College of Music (RNCM) England & Lund University, Faculty of Fine and Performing Arts, Sweden.

(2017). The Flautists Vademecum. Arnannguaq Gerström. Sassuma Arnaa – Sanna for flute

and prepared piano. With an introduction by Anders Ljungar-Chapelon

Morceau de Concours for the flute class 2017.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2017/2016). The Flautists Vademecum. Jonatan Sersam. Sånger for Viola and Bass Flute. With an introduction by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2016). Pierre Boulez Sonatina (1946) pour flute et piano by Anders Ljungar-Chapelon Booklet for CD Euterpe/Naxos .

Malmö, Sweden.

 

(2016/c.1830). The Flautists Vademecum. Johann Sebastian Bach Fantasia Chromatica BWV 903 für Flöte eingerichtet von Christian Gottlieb Belcke. With an essay by Anders Ljungar-Chapelon.

Malmö: Malmö Academy of Music/Lund University, Sweden. (Facsimile)

 

(2016). The Flautists Vademecum. Simon Söfelde, GYCKLARMUSIK 11-14 Joker Music for solo flute. With an introduction by Anders Ljungar-Chapelon

Morceau de Concours for the flute class 2015.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2015). The Flautists Vademecum. Rudolf Sulzenbacher. Opus-French Suite pour flute basse (ou normale) et clavecin ou guitarre (2015). With an introduction by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2015). The Flautists Vademecum. Jonatan Sersam. Fluttuante for flute and piano. With an introduction by Anders Ljungar-Chapelon

Morceau de Concours for the flute class 2015.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2015/1760 & 1763). The Flautists Vademecum. Atys.

• Six Sonates en Duo, Travaillés pour Six Instruments differens, Flûte, Haut-Bois, Pardessus de Viole à cinq Cordes sans aucun démanchement, Violon, Basson, et Violoncelle; en observant la Clef de Fa, qui est posée sur la 4^e ligne Avec des Signes pour diminuer et augmenter les sons par degrees, dans les endroits neccessaires. Œuvre IV. (1760)(Facsimile)
• Clef facile et methodique, pour apprendre en peu de tems à battre la lesure, a distinguer les modulations, à préluder, et à phraser la musique par le moyen de la ponctuation grammaticale et typhographique. Œuvre V. With essays by Anders Ljungar-Chapelon and Stephen Preston: The Alliance of Music, Poetry and Oratory.

Malmö: Lund University, Malmö Academy of Music. (1763) (Facsimile)

 

(2014/1850). The Flautists Vademecum. Louis Drouët. Trois Grands Duos Concertants pour deux Flûtes ou Etudes pour la respiration, l’Articulation et la manière de phraser (1850). With an essay by Anders Ljungar-Chapelon

Malmö: Lund University, Malmö Academy of Music.

 

(2014/1850). The Flautists Vademecum. Johan van Boom. Grande Fantaisie, pour Piano et Flute, ou Violon, sur des motifs de l’Opera, les mystires de’Isis, de Mozart (Die Zauberflöte), Opus 31 (1850). With an essay by Anders Ljungar-Chapelon

Malmö: Lund University, Malmö Academy of Music. (Facsimile)

(2014/1873-1885). The Flautists Vademecum. Gustaf Widegren. Texter, Grepptabeller och Övningar (1873-1885). Band II. With essays by Anders Ljungar-Chapelon and Dr Stephen Preston: Culminations, transitions, and continuities: Key virtuoso flutists in the early 19^th Century.

Malmö: Lund University, Malmö Academy of Music. (Facsimile)

 

(2014). The Flautists Vademecum. Christos Ntovas. Morfes for flute and piano.

Morceau de Concours for the flute class 2014.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2014) Den maieutiska flöjten: Konstnärliga utvecklingsarbeten som steg mot konstnärlig forskning by Anders Ljungar-Chapelon. In Spår av music. Text och spark, tradition och innovation.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2013) The Flautists Vademecum. Alessandro Perini. Assembling Machines for flute and prepared piano. With an introduction by Anders Ljungar-Chapelon

Morceau de Concours for the flute class 2013.

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2013) Det improvisatoriska, explosiva momentet i Cassandra’s Dream Song: mimesis och ett möte mellan musik och teater by Anders Ljungar-Chapelon. In (re-)thinking improvisation.

Malmö: Malmö Academy of Music/Lund University, Sweden. (p. 197–113).

 

(2013/1868–1888). The Flautists Vademecum. Flöjtövningar och texter av Gustaf Widegren. Några notiser, beträffande Nya eller den s.k. Böhm-flöjten (1866), Om Staccato på Flöjt (1868), Moll-scalor, figurerade för Flöjt (1873), Omvänd Dubbel-tunga (1888), Dubbeltunga i Trioler, med s.k. vexel-språk (1888). Band I. With an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University, Sweden. (Facsimile)

 

(2012). Mimesis as a Tool for Musical Learning and Performance, Maieutics, and the Stone of Heraclea. An essay by Anders Ljungar-Chapelon. Thessaloniki: 30^th ISME World Conference on Music Education, Thessaloniki, Greece. (p. 213-219).

 

(2008). Le respect de la tradition. Om den franska flöjtkonsten: dess lärande, hantverk och estetik i ett hermeneutiskt perspektiv. PhD dissertaion by Anders Ljungar-Chapelon

Malmö: Lund University/Malmö Academy of Music, Sweden.

 

(2006). Marihas första flöjtlektion by Anders Ljungar-Chapelon

SuzukiNytt. Årg. 22, Nr. 2.

 

(2005). How to play the De La Calle Quena Flute and a collection of Peruvian Music with an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University, Sweden.

 

(2005). Att spela flöjt och andas i kvadrat. Del 1–4 by Anders Ljungar-Chapelon

SuzukiNytt. Årg. 21, Nr. 1; Nr. 2; Nr. 3; Nr. 4.

 

(2005). Suzukiläger för flöjtister. SuzukiNytt. Årg. 21, Nr. 4 by Anders Ljungar-Chapelon

 

 

 

 

(2002). Presentation och granskning av några KU-projekt vid Sveriges musikhögskolor. Kungliga Akademins konferens 1999 om konstnärligt utvecklingsarbete i musik. Basse de Traversière – ett konstnärligt utvecklingsarbete an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University. (p. 21–29).

 

(2002–2004). 75 Variationer för flöjt över Ah, vous dirai-je, Maman. by Anders Ljungar-Chapelon Del 1–6.

SuzukiNytt. Årg. 18, Nr. 4.; Årg. 19, Nr. 1, Nr. 2, Nr. 3, Nr. 4; Årg. 20, Nr. 1, Nr. 2, Nr. 4.

 

(2003). Hotteterre och den franska flöjtkulturen by Anders Ljungar-Chapelon

Tidig Musik. (Nr. 1/2003, p. 18–23).

 

(2000). World Music School. Musikundervisningen i en mångkulturell skola an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University. (p. 54–56).

 

(1999). Intuition, imitation och maieutik, En studie av Alain Marion och L’École de Marseille: En undervisningsmetod för flöjt an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1998). Kring 1900, Om fransk flöjtkonst kring 1900 an essay by Anders Ljungar-Chapelon

(Symposier på Krapperups Borg 4).

Lund: Gyllenstiernska Krapperupstiftelsen. (p. 64–88).

 

(1998). Basse de Traversière. Booklet for CD by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund

University/Lunds universitet & dB Productions Sweden.

 

(1997). Debussy: Syrinx (La Flûte de Pan) für Flöte solo with an essay by Anders Ljungar-Chapelon

Wien: Wiener Urtext Edition, Universal Edition.

 

(1996). The Flautists Vademecum. Adelaidean Flute Notes by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1996). The Flautists Vademecum. A Flautist’s Notes Spring 1996 by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1995). The Flautists Vademecum. Flöjtistiska anteckningar hösten 1995 by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1995). The Flautists Vademecum. Bengt Edlund: Probing Density 21.5 with an essay by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1994). Europafärd med flöjten i bagaget by Anders Ljungar-Chapelon

Musikrevy (Årg. 49, Nr. 1, p. 26–36)

 

(1994). The Flautists Vademecum. Övningsplan för flöjt by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

 

(1993). The Flautists Vademecum. Melodiska övningsmoduler för flöjt och traverso by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1993). Arnold Schoenberg Opus 26. Booklet for CD MMHCD 2003 by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1992/1770). Johann Baptist Wendling. Six trios Op. III Flute, Violin & Violoncello (1770). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 038. (Facsimile)

 

(1992). The Swedish Transverse Flute. Booklet for CD MMHCD 2002. With an introduction by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1992/c.1890). Joachim Andersen. 98 Posthumous Exercises & Préludes (c.1890) With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 034. (Facsimile)

 

(1991/1913). Claude Debussy. Syrinx ou La Flûte de Pan (1913) With an essay by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 037. (Facsimile)

 

(1991/c.1750). Telemann, Georg Philipp: Two concertos (1750) With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 036. (Facsimile)

 

(1991/1760). Anders Wesström. Kvartett för flöjt, violin, viola och cello (1760) With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 035. (Facsimile)

 

(1991). Varför tyckte Mozart inte om flöjt? By Anders Ljungar-Chapelon

Musikrevy (Årg. 46, Nr. 1, p. 75–80)

 

(1991). The Flautists Vademecum. Bengt Edlund: Interpreting Syrinx.

Malmö: Malmö Academy of Music/Lund University.

 

(1991). Om Vivaldis traversmusik by Anders Ljungar-Chapelon

Musikrevy (Årg. 46, Nr. 8, p. 365–368)

 

(1991). Debussy; Syrinx eller La Flûte de Pan, nya perspektiv på ett nyckelverk i flöjthistorien. Musikrevy. An essay by Anders Ljungar-Chapelon

 (Årg. 46, Nr. 7, p. 341–346).

 

(1990). The Flautists Vademecum. Kay Holmquist: Metamorfos för tre flöjter (1987) & Espirando för tio flöjter (1990). With an introduction by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1990). The Flautists Vademecum. Konsonanter, vokaler och deras inverkan på flöjtspelet. A research report by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

(1988/c.1750). Pierre Gabriel Buffardin. Sonata a Violino, Flauto et Basso (1750). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 033. (Facsimile)

 

(1988/c.1880). Eleven pieces for 4 flutes by Händel, Kraus & Naumann (c.1800). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 032. (Facsimile)

 

(1987). Tre hundra års flöjtspel by Anders Ljungar-Chapelon

Musikrevy. (Årg. 43, Nr. 4, p. 114–131).

 

(1987/1777). Johan Fredrik Grenser. Six Trios pour flûtes et basse (1777). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 031. (Facsimile)

 

(1987/c.1860). Jan van Boom. Air Varié opus 34 pour deux flûtes concertantes (c.1860). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 030. (Facsimile)

 

(1987). The Flautists Vademecum. Konsertstudier för flöjt efter violinkonserter av Bach, Mozart och Beethoven. With an introduction by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University.

 

(1986/c.1830). Erik Drake. Divertimento pour le PianoForte & Flûte (c.1830). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 029. (Facsimile)

 

(1986/c.1760). Giuseppe Tartini. Flöjtkonsert i G-dur (c.1760). With an introduction by Anders Ljungar-Chapelon

Stockholm: Autographus Musicus, AM 028. (Facsimile)

 

(1985). The Flautists Vademecum. Övningar för flöjt by Anders Ljungar-Chapelon

Malmö: Malmö Academy of Music/Lund University

 DISCOGRAPHY

Agrell, Johan. (c.1749). Concerto for flute in D-major. Ensemble Gustaf III. MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Artaud, Pierre-Yves. (1996). CHITRA pour Basse de Traversière et bande magnetique. dB Productions. Malmö, Sweden. (Traverso, Renaissance flutes, Boehm flute, Flûte en Sol, Basse de traversière).

 

Bach, Johann Sebastian. Concerto for flute and violin in d-minor. BWV 1043. (trans. Ljungar Chapelon). Kammerensemble Cologne. KUTLU 118-2. Köln, Germany.

 

Bach, Johann Sebastian. Brandenburg Concerto V in D-major. BWV 1050. Kammerensemble Cologne. KUTLU 110-2. Köln, Germany.

 

Bach, Johann Sebastian. Concerto for flute in g-minor. BWV 1056. (trans. Ljungar-Chapelon). Kammerensemble Cologne. KUTLU 102-2. Köln, Germany.

 

Blavet, Michel. (ca 1740). Concerto for flute in a-minor. Kammerensemble Cologne. KUTLU 105-2. Köln, Germany.

 

Berio, Luciano. (1958). Sequenza I per flauto solo. Bergen: Amethyst-records, Norway. IN PRESS

 

Boulez, Pierre. (1946). Sonatine pour flute et piano. Duo Concord (prof. Ingemar Fridell piano) Malmö: Euterpe Musica/Naxos, Sweden.

 

Campra, André. (1702). Air, Une Driade from the opera Tancrede. Act III: 4. Ensemble Gustaf III. dB Productions. Malmö, Sweden. (Basse de traversière)

 

Debussy, Claude. (1913). Syrinx ou La Flûte de Pan pour flûte seule. Bergen: Amethyst-records, Norway. IN PRESS

 

Drake, Erik. (1830). Divertimento pour le PianoForte & Flûte.   Ensemble Gustaf III (Gunilla Iberer piano) MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Ferneyhough, Brian. (1970). Cassandra’s Dream Song for flute alone. Bergen: Amethyst-records, Norway. IN PRESS

 

Grenser, Johan Fredrik. (1777). Trio Sonata in B flat-major. Opus 1:VI. Ensemble Gustaf III. MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden. (Flute, violin & basso continuo)

 

Hotteterre, Jacques “Le Romain”. (1719). Préludes pour Basse de Traversière solo. dB Productions. Malmö, Sweden. (Basse de traversière)

 

Hotteterre, Jacques “Le Romain”. (1715). Brunettes et Chansons à Boire. Ensemble Gustaf III. dB Productions. Malmö, Sweden. (Soprano, Traverso and Basse de traversière)

 

Jolivet, André. (1936). Cinq Incantations pour flûte seule. Bergen: Amethyst-records, Norway. IN PRESS

 

Johansson, Johannes. (1996). Pièce en Trio for Basse de traversière solo. dB Productions. Malmö, Sweden. (Basse de traversière)

 

Leclair, Jean-Marie. Concerto for flute in C-major. Opus 7: III. Kammerensemble Cologne. KUTLU 106-2. Köln, Germany.

 

Montèclair, Michel Pignolet de. (1697). Le Sommeil. Ensemble Gustaf III. dB Productions. Malmö, Sweden. (Traverso, Basse de traversière)

 

Mozart, Wolfgang Amadeus. (1777). Quartet for flute and strings in G-major. K.285a. Kammerensemble Cologne. KUTLU 118-2. Köln, Germany. (Traverso)

 

Mozart, Wolfgang Amadeus. (1777). Quartet for flute and strings in C-major. K.285b. Kammerensemble Cologne. KUTLU 116-2. Köln, Germany. (Traverso)

 

Olofsson, Kent. (1996). Pierian Spring for Basse de traversière solo. dB Productions. Malmö, Sweden. (Basse de traversière)

 

Quanten, Carl Jacob von. (ca 1777). Sonata for flute and harpsichord in G-major. Opus 1: V. Ensemble Gustaf III (prof. Hans Hellsten harpsichord) MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Schoenberg, Arnold. Sonata Opus 26 for flute (Flûte en Sol) and piano. Duo Concord (prof. Ingemar Fridell piano) MHM CD 2003. Malmö: Malmö Academy of Music/Lund University, Sweden.

 

Takemitsu, Toru. (1971). Voice for flute solo. Bergen: Amethyst-records, Norway. IN PRESS

 

Telemann, Georg Philipp. Concerto for flute in D-major. Kammerensemble Cologne. KUTLU 118-2. Köln, Germany. (Traverso)

 

Telemann, Georg Philipp. Ouverture (Suite) Musique de Table in e-minor for two flutes and strings. Kammerensemble Cologne. KUTLU 115-2. Köln, Germany.

 

Telemann, Georg Philipp. Triple Concerto for flute, oboe d’amore, violin and strings in E-major. Kammerensemble Cologne. KUTLU 111-2. Köln, Germany.

 

Telemann, Georg Philipp. Double Concerto for flute, recorder and strings in e-minor. Kammerensemble Cologne. KUTLU 105-2. Köln, Germany.

 

Telemann, Georg Philipp. Concerto for flute in E-major. Kammerensemble Cologne. KUTLU 101-2. Köln, Germany.

 

Varèse, Edgar. (1936). Density 21.5 for flute alone. Bergen: Amethyst-records, Norway. IN PRESS

 

Vivaldi, Antonio. Concerto for flute in c-minor, Opus 44: 19. Kammerensemble Cologne. KUTLU 111-2. Köln, Germany.

 

Vivaldi, Antonio. Double Concerto for two flutes in c-minor. RV 509. (trans. Ljungar-Chapelon). Kammerensemble Cologne. KUTLU 107-2. Köln, Germany.

 

Vivaldi, Antonio. Concerto for flute in g-minor ”La Notte”. Opus X: 2. Kammerensemble Cologne. KUTLU 104-2. Köln, Germany.

 

Wesström, Anders. (ca 1760). Quartet for flute and strings in D-major. Ensemble Gustaf III. MHM CD 2002. Malmö: Malmö Academy of Music/Lund University, Sweden.