The aim with this research project is to produce knowledge that can contribute to a deeper understanding of how we as artists in the performing arts can work with diverse groups of people, especially vulnerable groups on the margins of society who often have no voice to express opinions and experiences. My main interest is how to develop my dramaturgical practice through  practices such as deep listening, care-full listening and slow listening, as well as curatorial strategies in a deep, slow and ethically-conscious development process. 

My most recent project is Listening Choir (2024-5) a project aiming at increasing knowledge production about the affects of undergoing fertility treatment and how this also prompts certain ways of entering parenthood.