During the interwar period, there was a surge in cultural diplomacy efforts in Europe. This article investigates the role of cultural diplomacy within the Swedish film society movement, focusing particularly on Lund Film Society’s travels abroad during the 1930s: to Nazi-Germany in 1935 and in 1938 respectively, as well as to the Soviet Union in 1936. Through international exchange, Lund Film Society did not only get access to artistic and politically radical films but also an increased insight into in the international film industry. The article shows that the trips fulfilled several important functions for Lund Film Society. The film society was theoretically oriented and the possibilities of exploring the film medium practically were limited. During these journeys abroad, the film society managed to gain insight into how modern film studios worked in several different countries. At the same time, interest in cultural exchange was mutual, and the international film connections were purposefully exploited by both Nazi Germany and the Soviet Union as a form of cultural-political propaganda.
|Tidskrift||TMG Journal for Media History|
|Status||Published - 2022|