Pop Materialising: Layers and topological space in digital pop music

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Sammanfattning

This article argues that pop music’s increasing assimilation of hip-hop and EDM (electronic dance music) practices combine with computational automation and this has substantial consequences for musical space. Traditional ‘space-makers’ such as reverb or delay are subject to other functions such as frequency filters and compression that interrelate processual layers of textures. Instead of an active-listener-orientated sonic-space with distinct source-bonded entities, it is based on a particular sonic materiality. With a new media theoretical approach, I consequently argue that this new type of space can better be understood as a mediatised topological materiality.
Originalspråkengelska
Sidor (från-till)59-68
Antal sidor10
TidskriftOrganised Sound
Volym27
Nummer1
DOI
StatusPublished - 2022 apr. 22
Externt publiceradJa

Ämnesklassifikation (UKÄ)

  • Musikvetenskap

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